Tron funkin blows.

I can't remember the initial seed of this following fractal. I started watching tron clips on YouTube and ended up downloading and watching tron basically three times today. No ritual intended. There wasn't a whole lot going on besides the occasional trapezoid or sequence of colors. It wasn't till I finalized a decent copy of the film then things started coming together.

Tron in one sentence no Wiki needed...

"Tron is a 1982 science fiction film by Disney."

My birth year thus Dog film. A highlight of the similar frequencies for that year make 1/4 sense so far...

"They are compatible with those born in the Years of the Horse, Tiger, and Rabbit. "

My friend for the most time spent goes to a humble, musical archive "Coleman Coil." I leave his last name out and replace it with his nick name geven to him by His sister, my other close(I hope) friend Angie. Coleman Coil looks like the character Calvin from Calvin and Hobbes. Probably one of the only things I enjoyed reading when I was a shorter, healthier alchemist.



Coleman Coil description...

Cole was born in the year of the Tiger. So he 'looked' like Calvin and had an imaginary tiger presiding his presence. Coleman has brought up uroboros lately. He's going so far as to get a tattoo of it. a tattoo with three symbols at play. I'll mention that Mr Cole Coil is not much for discussion on the magical topics but he does listen to a whole lot of music. One genre dominating in his selections would with out question have to be vulgar metal.

His discussion on the topic has left that symbol on the edge of my mind for a while now and I feel the fractal is progressing.

So back to Tron. Tron is connected to a number of things based on simple comparison. It s geometry is simple but square. Making it a timeless movie in my mind. I had no interest to watch this movie as a child. Kinda glad I didn't. To get to the point I will state the basic logos involed. Disney, geometry, video physics, and the core of the art work.

Buena Vista pictures released this film and it will be good to list the notable correlations involving one of the 'Imagineers' behind the scenes of this fabricated fantasy film. I recognized the film type was similar to many of the Disney movies I grew up watching. But strangly one video game came to my mind first. Dragon's Lair. It featured animation created by former Disney animator Don Bluth.

Ahem...Wiki almost feels like flatulence cause I use it so much...Sorry...

"Dragon's Lair is a laserdisc video game published by Cinematronics in 1983. It featured animation created by former Disney animator Don Bluth. Most other games of the era represented the character as a sprite, which consisted of a series of bitmaps displayed in succession. However, due to hardware limitations of the era, artists were greatly restricted in the detail they could achieve using that technique; the resolution, framerate and number of frames were severely constrained. Dragon's Lair overcame those limitations by tapping into the vast storage potential of laserdisc, but imposed other limitations on the actual gameplay.

The game's enormous contrast with other arcade games of the time created a sensation when it appeared, and was played so heavily that many machines often broke due to the strain of overuse. It was also arguably the most successful game on this medium and is aggressively sought after by collectors."

I then went and read up on the laser disk format. The last two movies realeased using the format were two VERY successful Disney contractors.

"The last two titles released in North America were Paramount's Sleepy Hollow and Bringing Out the Dead in 2000."

Jonny Depp and Nic Cage. Now I'd say that's a very square and level edge... if your smoking my brand.


I find it very 'quest'ionable that I can't find much on the game in terms of original content but I'll take anything the universe has made available. Even crappy videos like this.

I take that back. That was one of the most amazing sequences of animation I've ever seen! Don Bluth was one of the chief animators at The Walt Disney Company in the 1970s. In 1979 he tried to fly a different flag with Don Bluth Productions. His style tends toward rougher and more energetic portrayals than that of Disney films, and tend to have a mystical element to them. While watching the Dragon's lair clip I see other films by reading between the geometric lines. I must note that Bluth was behind such works as Sleeping Beauty and The Sword in the Stone which he WAS NOT CREDITED FOR. Much like our starring actor from Tron Jeff Bridges. In the movie JB plays a software designer who, much like Don Bluth, gets uncredited for for his amazing video game creations. Credit being the key word.

"When leaving Disney, Bluth brought several other Disney animators with him to form a rival studio, allegedly upset with how the Disney animated features had "lost their charm" at the time.This new studio demonstrated its ability in its first production, a short film titled Banjo the Woodpile Cat, and this led to work on an animated segment of the live-action film Xanadu (1980)."

And one mystical movie creation that left my mind beyond this reality...

"The studio's first feature-length was animation, The Secret of NIMH (1982),"

I'm gonna guess and say that if your reading this so far you understand the great signifigance of that particular film.

"Teaming up with Rick Dyer, Bluth then created the groundbreaking arcade game Dragon's Lair (1983),"

With these things in mind we can note the time frame involved here and begin to see a enormous pattern.

"His next film would have been an animated version of East of the Sun and West of the Moon, but was never made as the financial resources were drawn back. After teaming up with Spielberg, his next projects instead turned out to be An American Tail (1986) and The Land Before Time (1988), which did well in theaters and became animation classics. Although All Dogs Go to Heaven (1989) only had a moderate theatrical success, it did much better on later Home Video sales, becoming a cult classic. Each of them launched a line of direct-to-video sequels and television spin offs, none of which Bluth had any involvement with.

By the end of the decade and through the 1990s Bluth films such as Rock-a-Doodle, Thumbelina, A Troll in Central Park, and The Pebble and the Penguin were earning much less at the box office."

All of which maintain a 'cult' status in my mind.

Jake's earlier video works highlights Xanadu...

Don Bluth's obvious presence in this following clip


All of this stuff brings me back to Uroburos. It is constantly coming to my attention. I will probably continue to rant about the experiments at CERN. But first I recommend a viewing of Steve Willner's video...

"Ouroboros, CERN, and A Trip Through the Water Door"



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